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A Captive, Exiled to the Void

by Crynyd

/
1.
She moved into the house where I grew from a boy into an old man who forgot all his toys. I had wandered in clouds and the snow of the heights. I left and arrived 'till that little boy died but learned all about ice as she came from the seas. By the time she arrived I had lost all my leaves, now all that is left is a tired old man with eyes on a pretty young lady with an empty left hand. At night for her love she cleans up the mud that he tracks past her feet as he comes without love. In the daylight she hides, but I see how she weeps. In this empty orchard we were fated to meet. Won't you put down your broom and sweep me away. I know you're committed but I need you to sway, for his hands bring no smiles, no relief to your face and your sad little features make me cry, "what a shame what a shame." What a shame. And I want to uplift you, I want to be kind. I want to ensnare you in all my designs. But you keep to your chains and blink me away while staring this tired old man deep in his face. I don't know what you want, but I'll guess at your needs and from what I've seen I am forced to believe that you're wanting for warmth and a clear and free voice going into an ear that would hear you by choice. She moved into the house where I grew from a boy into an old man who remembers his joys in the flashes of eyes of a darling that hides. I want to reveal you, I want to be kind. I want to avail you of only your own designs. But you keep to your chains and blink me away. All the while staring this tired old man in his tired old face.
2.
You lower your veil when I come to you: hands poised on hem prepared to remove. But still currently securing, camouflaging, calling doom. I find me bitter as I hunt for you, only you without the truth that stares and answer sorely from the comfort of your room. But still I'll take your hand and raise it to the stars. I'll spin you round beneath and through this twisting archway of our arms. And you look at me so quizzically with a hint of homeward misery wanting more than silence in our song. But oh how I love your sense of duty, how you lay and lie for love that must be lost yet stares at me sternly, me with eyes long ravaged and locked. I feel bound to wither as I wait for you, growing my proof from your words deeply pruned into passions in pining and wilting, wilting before the bloom. Your countenance heady, your vision a brew that brings me to boil by toil for you needing me down on my knees at your feet, of true love destitute. But still I'll take your hand and raise challenge to the stars while trapped, you here between us: this rock, this haunting of your heart. And you look at me so wistfully as though you mean to reach for me. Ends with eyes unfocused and distraught.
3.
One step closer to where you have remained, three seats closer to them gorgeous gray tights inside your boots, stickin' sidelong looks but speech I'd long to send your way- curse this tongue that always love betrays. Your makeup sits lightly there on your face and darkens your eyes down to a shade I once misunderstood yet longed for, looked. Now I can't help but gaze your way longing to ask, "Darling, what is your name?" While here I sit learning in silence that your script is fantastic and rare. I'd be privileged to be writ by it. I'd treat your words with such care. I fear I can't stay but I sure cannot go. This here's where I belong, with a song in the snow where my arms grow cold and my fingers stick. I fear myself when I'm at home... and the color of your eyes I have to know along with every detail painted in your frame, where the creases in your fingers have been placed. But darling, all I know is that you've got those hands and eyes that won't look to where I stand grasping for the strength to be your man. Won't you please stay by me awhile? Let me praise that pen to make your smile. Don't walk away. Don't turn your face. Please stay, let me for you play songs writ in your unknown name.
4.
There's one more pretty girl I see whose heart will soon be surely breaking, whose lips will soon be quivering. That's just what hearts and lips will do. Surely there's more men than me who want your ear to be caressing and your breath held, not rejecting the things that hearts and lips will do. 'Cause we're all chasing things like these to hold and keep, and keep releasing tear filled eyes, a life deceiving - Hating what we're wont to do. I cannot but I'll try to leave. In lonesome loads I'll be retiring. Keep myself alone displacing fear of what hearts and lips will do. But always pretty girls I see and my resolve is slowly breaking. I need a broken heart, lips quivering. That's just what hearts and lips should do.
5.
When you think about the years, how many have come and then disappeared leaving you to find nothing for you here, you're gonna need someone on your mind. When you've got nothin' to be and no legs to run, no reason to rise beyond the much too kind invites that you so fear you're gonna need someone on your mind. When you've given up on fun and you're livin' too clean for the nothin' you've done, you need something to bind, something to hold you here. You're gonna need someone on your mind. When you've lost all your dreams but still live in one that's nothing but fears and things left behind now ever nowhere near, you're gonna need someone on your mind. When you're thinkin' on blood, that piece of steel so keen against the whispered jeers of your long decline to rest upon the bier, you're gonna need someone on your mind.
6.
Well you can take your young love and stay across the street. I'll shoot my glances as you act out my life at seventeen. And I'll remember young love: wearing my darling's rings, chasing romances that surpassed what I had- a too good soothing little Queen. For that was my young love, broke, but cherished like a dream, a forever that then passes with it's hopes and with it's lacks for you can't go back to sleep. I've lost my youth, thrown out each love that would pretend to come, that came but couldn't catch my tongue, that felt like truth aged like a drug. So you can take your young love and lay across the street. Hold fast your chances and with your hands forget you're all of seventeen.
7.
I've lost my heads, fell from my strings. What painful silence I'm learning I can bring when lacking for a burden of the simplest little dream. But I could accomplish something. And if my voice don't turn to blood, I could still sing for you my dear. Though who you are grows increasingly unclear. I broke my neck, or so it would seem. Unknowing, you've been so generous with me. You're certainly deserving something more than I can be, than I can let myself to need. More than this silence that threatens all I see. But you are like a bookend as I gently touch your feet. I can almost remember this in how it's simple and it's slow. I can almost handle this... Almost sincerely wish for the trouble wrapped up so sweetly in a kiss. Then I could accomplish something. And if my voice don't turn to blood, I could still sing for you my dear. Though who you are is still so damned unclear. Perhaps you're just the pretty girl so near. I lost my legs and grew some wings. And oh what tense emotions closeness brings when my head's deserted good things into only dreams. But I could accomplish something. And if my voice don't turn to blood, I could still sing for you my dear. Though who you are is ever so unclear. I hope you're not just the prettiest girl near.
8.
All that I can do is wait for you and hope I don't turn into rust. All that I can do is wait for you, watch you live on while I lay here in the dust. Every day I hope to see you, knowing I can't hope for much. Every day I hope to see you. Outta my bed to get punched in the gut and I don't even know just quite for what. But all that I can do is look to you, and try not to look too much. But all that I can do is look to you, and live in those days you smile at me so much. All that I can do is run from you 'cause I can't bear to be your frown. All that I can do is run from you, though I can never go nowhere when you're around. No, all that I can do is wait for you and hope I don't turn into rust. All that I can do is want for you and know that you'll leave me in the dust. All that I can do is want for you and notice your man ain't on your mind so much. Still all that I could ever rightly do is take good care of you. All that I could ever rightly do is treat you better than anybody else can do, and your man is sure one righteous dude. All that I can do is look to you and wish I could do something with this stupid crush. All that I can do is look to you and swoon at every fateful chance we touch. Every night I hope to dream of you. Some nights I can't seem to stop. Every night I hope to dream of you. I guess we all dream what we ain't got. All that I can do is wait for you and hope I don't turn into rust.

about

This record was recorded in two parts, both in the bowels of the battleship Far Horizon, stationed in Black Mountain, NC. The prelude owes much of itself to Jimmeeq’s leaving me his guitar and amps for a while during 2014. The proper was recorded during the summer of 2015. The wonderful Evan Wade deserves praise for gracing “Armor” and “Things I Can Do” with his lap steel skills. I owe both of these gentlemen many thanks. Thanks also go to my family, friends, and those who never knew of whom I croon; all the kind folks that like to hear me sing and encourage me to do so, especially those at The Dripolator. Please allow the written text precedence over the sung lyric, and cut GL some slack.
S.D.G.

credits

released March 4, 2016

Adam Nieting. Evan Wade, lap steel.

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Adam Nieting Black Mountain, North Carolina

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